Redman began his career as an advertising copywriter, mentored by two completely contrasting iconoclasts of the business- Australia’s visual guru, Siimon Reynolds, of Omon, and Singapore’s long copy scribe, Neil French, of The Ball Partnership
At the age of 25 he became Creative Director of Batey Ads Singapore, and helped guide a department of awkward humans to the number one-ranked creative agency in Australasia two years running, and second in the world to BBH London
In six years as an ad-man, he won over 300 awards at every international show for every client he worked on- Visa, Tag Heuer, BP, Mitsubishi, Sony, Mercedes, Hennessy- adding millions in new business wins. His final hurrah was the global launch of Swatch Skin, featuring Tyra Banks. His initial concept involved a naked Woody Allen wandering the streets of New York pondering his lack of attire
Courted by Fallon McElligott, BBDO New York, and Chiat Day LA when he embarked on a photographic road trip across the USA in a beat-up convertible, Redman decided his passion really laid behind a camera. He left it all behind to become a director
His first project was a shoestring charity TVC made for 1000 dollars. It won World’s Best Public Service TVC, a One Show Bronze, and made the Saatchi & Saatchi New Directors’ Showcase in Cannes- putting him amongst the hottest commercial directors in the world
His second was for Singapore Airlines’ global launch of their new aircraft and was made with a few more zeroes
He wrote, co-produced, and directed his debut feature film, “The Long Lunch”- a caper flick drawing on his experience of the clash between East and West. Released in 2003, it screened at Cannes, appeared in Official Selection in five international festivals and sold to 8 countries- with the screenplay optioned by the Hollywood producers of “Jackass” for a US re-make
For the last decade, Redman has helmed over usd95 million in productions for a slew of global brands- Sony, Electrolux, Sprite, Pantene, Carlsberg, Sunsilk, Vodafone, Vaseline, Olay, Marriott Hotel, MasterCard, Head & Shoulders, Garnier, Kia, Toyota, and Audi
He has filmed projects from Shanghai to Queenstown, and Jaisalmer to Tokyo, working with Bollywood beauties, Indonesian pop stars, Japanese baseball legends, Australian rugby internationals, and rubbish collectors in Bangkok. His work has appeared as far afield as Brazil, Japan, Mexico, South Africa, Europe, Canada and the USA
With over 20 years global experience, Redman has directed projects in Mandarin, Thai, French, Bahasa, Japanese, Cantonese, Spanish, Hindi, Urdu, Tagalog, and, occasionally, in his native English
When he is not shooting, he is writing original stories for the content group, www.werewolvesoflondon.ca
Cannes
2 bronze
11 finalists
Selected for Saatchi & Saatchi
New Directors’ Showcase
D&AD, London
9 acceptances
One Show, NY
1 bronze
12 finalists
London International
1 Best of Show
1 Gold
2 Silver
9 Bronze
38 finalists
AWARD, Australia
1 gold
2 silver
4 bronze
20 finalists
IBA, Hollywood
1 World’s Best Public Service
1 gold
10 finalists
Singapore Creative Circle
1 Best of Show
1 Best of Year
2 Gold
5 Silver
17 Bronze
34 finalists
“The Long Lunch”
Official Selection Melbourne,
Perth, Singapore, Manila International Film Festivals
“Nanshoku” Top 50 screenplay, Academy of Motion Picture Arts and Sciences, Academy Nicholl Fellowship, Semi-finalist Final Draft Big Break, Coverfly Red List
SELECTED AWARDS
Mobius, USA
9 Gold
6 Silver
New York International
3 gold
1 silver
4 bronze
20 finalists
Times Asia Pacific, Taiwan
1 gold
1 silver
1 bronze
3 finalists
Asian Ad Awards, HK
2 spikes
2 silver
9 finalists
Hong Kong 4A’s
2 bronze
Communication Arts, USA
9 acceptances
Graphis, NYC
27 acceptances
Type Director’s Club, NYC
17 acceptances
Creativity, NYC
1 gold
16 finalists
ACS, Australia
1 gold
2 silver
Redman began his career as an advertising copywriter, mentored by two completely contrasting iconoclasts of the business- Australia’s visual guru, Siimon Reynolds, of Omon, and Singapore’s long copy scribe, Neil French, of The Ball Partnership
At the age of 25 he became Creative Director of Batey Ads Singapore, and helped guide a department of awkward humans to the number one-ranked creative agency in Australasia two years running, and second in the world to BBH London
In six years as an ad-man, he won over 300 awards at every international show for every client he worked on- Visa, Tag Heuer, BP, Mitsubishi, Sony, Mercedes, Hennessy- adding millions in new business wins. His final hurrah was the global launch of Swatch Skin, featuring Tyra Banks. His initial concept involved a naked Woody Allen wandering the streets of New York pondering his lack of attire
Courted by Fallon McElligott, BBDO New York, and Chiat Day LA when he embarked on a photographic road trip across the USA in a beat-up convertible, Redman decided his passion really laid behind a camera. He left it all behind to become a director
His first project was a shoestring charity TVC made for 1000 dollars. It won World’s Best Public Service TVC, a One Show Bronze, and made the Saatchi & Saatchi New Directors’ Showcase in Cannes- putting him amongst the hottest commercial directors in the world
His second was for Singapore Airlines’ global launch of their new aircraft and was made with a few more zeroes
He wrote, co-produced, and directed his debut feature film, “The Long Lunch”- a caper flick drawing on his experience of the clash between East and West. Released in 2003, it screened at Cannes, appeared in Official Selection in five international festivals and sold to 8 countries- with the screenplay optioned by the Hollywood producers of “Jackass” for a US re-make
For the last decade, Redman has helmed over usd95 million in productions for a slew of global brands- Sony, Electrolux, Sprite, Pantene, Carlsberg, Sunsilk, Vodafone, Vaseline, Olay, Marriott Hotel, MasterCard, Head & Shoulders, Garnier, Kia, Toyota, and Audi
He has filmed projects from Shanghai to Queenstown, and Jaisalmer to Tokyo, working with Bollywood beauties, Indonesian pop stars, Japanese baseball legends, Australian rugby internationals, and rubbish collectors in Bangkok. His work has appeared as far afield as Brazil, Japan, Mexico, South Africa, Europe, Canada and the USA
With over 20 years global experience, Redman has directed projects in Mandarin, Thai, French, Bahasa, Japanese, Cantonese, Spanish, Hindi, Urdu, Tagalog, and, occasionally, in his native English
When he is not shooting, he is writing original stories for the content group, www.werewolvesoflondon.ca
SELECTED AWARDS
Cannes
2 bronze
11 finalists
Selected for Saatchi & Saatchi
New Directors’ Showcase
D&AD, London
9 acceptances
One Show, NY
1 bronze
12 finalists
London International
1 Best of Show
1 Gold
2 Silver
9 Bronze
38 finalists
AWARD, Australia
1 gold
2 silver
4 bronze
20 finalists
IBA, Hollywood
1 World’s Best Public Service
1 gold
10 finalists
Singapore Creative Circle
1 Best of Show
1 Best of Year
2 Gold
5 Silver
17 Bronze
34 finalists
Mobius, USA
9 Gold
6 Silver
New York International
3 gold
1 silver
4 bronze
20 finalists
Times Asia Pacific, Taiwan
1 gold
1 silver
1 bronze
3 finalists
Asian Ad Awards, HK
2 spikes
2 silver
9 finalists
Hong Kong 4A’s
2 bronze
Communication Arts, USA
9 acceptances
Graphis, NYC
27 acceptances
Type Director’s Club, NYC
17 acceptances
Creativity, NYC
1 gold
16 finalists
ACS, Australia
1 gold
2 silver
“The Long Lunch”
Official Selection Melbourne,
Perth, Singapore, Manila International Film Festivals
“Nanshoku” Top 50 screenplay, Academy of Motion Picture Arts and Sciences, Academy Nicholl Fellowship, Semi-finalist Final Draft Big Break, Coverfly Red List